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pilsner_ffc

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11 hours ago, Mr. Brightside said:

I couldn’t ask for any more from a Frightened Rabbit gig. The set list was spot on and I’ve never heard the Academy sound as good as that before.

One of my favourite ever gigs.

I was just coming on to say that there can't be a worse venue for sound anywhere on the planet. Several songs had no bass in them yet something sounding  a lot like bass managed to wash everything else out. Dreadful.

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I was just coming on to say that there can't be a worse venue for sound anywhere on the planet. Several songs had no bass in them yet something sounding  a lot like bass managed to wash everything else out. Dreadful.

Normally I’d agree, the Academy is usually awful for sound, maybe I’ve found the sweet spot.
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I was just coming on to say that there can't be a worse venue for sound anywhere on the planet. Several songs had no bass in them yet something sounding  a lot like bass managed to wash everything else out. Dreadful.

 

The SECC is streets ahead of The Academy when it comes to terrible sound, and whilst nowhere will be a patch on The Barowlands I think the sound in The Academy is usually pretty good. I’d suggest the problem was more likely to be down to the person operating the soundboard not getting the mix right, or you being a total slaver.

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8 minutes ago, 8MileBU said:

 

The SECC is streets ahead of The Academy when it comes to terrible sound, and whilst nowhere will be a patch on The Barowlands I think the sound in The Academy is usually pretty good. I’d suggest the problem was more likely to be down to the person operating the soundboard not getting the mix right, or you being a total slaver.

It has the same problems it had when I saw Interpol there seven years ago and I'm pretty certain my eyes and ears still work, but thanks for the concern

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South By Southwest is a wrap for 2018. I saw 79 sets over six days, and of those I think 72 were in full (40 minutes). I saw Lee Bains four or five times, and Goat Girl twice. I think every other set was unique.

Ex-Girlfriends, Doe, and Fruit and Flowers gave day six a distinct indie pop theme. Also took in the brilliant Stella Donnelly, Ron Galo (who gave away his guitar and saxophone at the end of his set) and Slow Caves, whom I had wanted to see for a while.

Goat Girl are going to be the middle of festival lineups this or next summer. They’re seriously talented. The overriding trend was for female-fronted bands, and the demise of guitar/drum two-pieces. Both are welcome, if you ask me.

The only disappointment was Ought, who basically do a dull Joy Division. I’m quite prepared to say that anything I didn’t enjoy was largely due to just not feeling it.

Absolute scenes at Lee Bains III and the Glory Fires, and a spellbinding trip to Twin Peaks with Annie Hart, will live long in the memory.

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On ‎18‎/‎03‎/‎2018 at 11:41, Mr. Brightside said:


Normally I’d agree, the Academy is usually awful for sound, maybe I’ve found the sweet spot.

Since videos of the evening have started appearing I've found one which has the problem I had

 

The end of it's just completely washed out.

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I think the stupidly high roof of The Academy means it's got so much natural reverb it's a nightmare for techs to get right. I'm with Randy G on this one in that the ABC has the best sound for any gig venue in Glasgow. SECC is the worst by a distance but that's because it's a exhibition hall and not a venue.

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