Enter The Void - an American drug dealer living in Tokyo experiences aspects of the Tibetan Book of the Dead after a drug deal goes wrong.
This is definitely a cinema film, and I kinda wish I'd seen it in that environment, as it would certainly work better as a sensory experience. Forget about narrative, because there's very little and what's there is poor and obvious. This is all about the neon backdrop of Tokyo and the inventive drug hallucinations, which brought to mind Ken Russell's Altered States. That said, the film is almost three hours long, and is interminably dull when viewed on a small screen.
Ghost Rider - a young motorcycle stuntman is tricked into selling his soul to the Devil in exchange for becoming his supernatural problem-solver.
I can't stand Nicolas Cage, so I avoided the hell out of this, but it has a great deal of comic value for the patented 'Cage Hysterical Freakout' scenes that litter the running time. I like to think that these are just shots of Cage between takes, just being himself. Sam Elliott's presence amusingly highlights Cage's lack of charisma, while excellent PG use is made of Eva Mendes' assets. The film itself is fluff, but is made more entertaining by the silliness of the plot, so it definitely qualifies for a bad movie night. Shockingly bad CG too.