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What Was The Last Movie You Watched?


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Three Billboards 8.5/10

Cant say there were many fault with this,the ending perhaps if i was being pernickity. All the lead actors were excellent especially Rockwell

Darkest Hour 5/10

Oldman in one of the best roles hes every likely to play. The downside is that its on for over two hours and not a great deal happens. It also paints Churchill as a drunken inept idiot which i found to be quite bizarre

Lady Bird 4/10

Coming of age film starring Saiorese Ronan. 94 minutes of my life i will never get back. She plays an irratating teen with very few redeeming qualities. The only thing that salvages the film slightly is Laurie Metcalf as her mother

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6 hours ago, Twinkle said:

Three Billboards 8.5/10

Cant say there were many fault with this,the ending perhaps if i was being pernickity. All the lead actors were excellent especially Rockwell

Darkest Hour 5/10

Oldman in one of the best roles hes every likely to play. The downside is that its on for over two hours and not a great deal happens. It also paints Churchill as a drunken inept idiot which i found to be quite bizarre

Lady Bird 4/10

Coming of age film starring Saiorese Ronan. 94 minutes of my life i will never get back. She plays an irratating teen with very few redeeming qualities. The only thing that salvages the film slightly is Laurie Metcalf as her mother

Is 'Lady Bird' out in the UK yet? 

Completely agree about 'Darkest Hour' - its Best Picture nomination is quite bizarre. 

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3 minutes ago, accies1874 said:

Is 'Lady Bird' out in the UK yet? 

Completely agree about 'Darkest Hour' - its Best Picture nomination is quite bizarre. 

Out in February in the UK. Was in and out of town in a hurry over here.

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Get Out 7.5/10

Black guy goes to meet his white girlfriend parents for the first time way out in the middle of nowhere. Things start getting creepy very quickly and it escalates from there. Enjoyed this quite a bit despite reading some awful reviews regarding the racial undertones

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Who Can Kill a Child? ( Shudder )

Spanish horror from the 70s. A couple head to a small island which seems deserted, apart from the children. You can probably guess how it works from there. It's an effectively creepy movie. The opening credits are outstanding, giving a general lay of the land as well as providing some fairly chilling moments before the movie even gets going. There's some right dodgy acting in it but can't really take away from how good the movie is regardless. No real reliance on gore or cheap scares and aims purely to ratchet up the tension and make you fear for how things will turn out. The final act is pretty great too. Big fan of this.

8/10

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20 hours ago, Christophe said:

(11)

Napoleon 10/10

Restored version of Gance’s classic on the big screen. Fookin’ amazin’ film, 10 on 10 no doubt. (cinema)

Saw it when it had first been restored at the National in London with a full orchestra. Powerful stuff.

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12 minutes ago, welshbairn said:

Saw it when it had first been restored at the National in London with a full orchestra. Powerful stuff.

That’d have been phenomenal. How did they screen it with the orchestra? Full nigh on 6 hours in a oner?

I seen it over two nights, but seen it advertised in one day previously with a few breaks as well. 

Edited by Christophe
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8 minutes ago, Christophe said:

That’d have been phenomenal. How did they screen it with the orchestra? Full nigh on 6 hours in a oner?

I seen it over two nights, but seen it advertised in one day previously with a few breaks as well. 

It was ages ago but I think they had 2 lengthy intervals.

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Three Billboards..

Cineworld. Cup of tea. Roll and sausage.

Worthwhile trip to the cinema.  I never saw Seven Psychopaths but this felt like a natural succcessor to In Bruges. Really funny but really sad.  Sam Rockwell stole the show. 

8.5/10

Edited by Shandon Par
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My 2018 resolution is to watch more movies. Recently treated myself to a projection system after years of wanting a home cinema, so plan to get though a fairly lengthy list of DVDs and blu-rays and make some inroads into sizeable Netflix / Amazon watchlists over the next few months. 

Darkest Hour 7/10 (cinema)

Enjoyable film with excellent performances from Gary Oldman as Churchill and Stephen Dillane as Halifax, and was pleased to see Lily James again after enjoying her role in Baby Driver.  

Spoiler

It played fast and loose with the history, which comes with the territory in historical movie adaptions (Churchill didn’t in fact offer up the Calais garrison as a sacrificial lamb in the calculating manner suggested, and towards the end Chamberlain’s position became more nuanced than depicted here - the appeaser eventually became broadly supportive of Churchill’s uncompromising attitude towards the Germans). The film almost fell apart with the risible tube scene, (Churchill shaped rather than followed the national mood) and the classically-educated poetry-spouting member of the solid working classes seemed tokenistic.

Nonetheless, an enjoyable, if slightly overrated, film.

Molly’s Game 8/10 (cinema)

Big Aaron Sorkin fan, loved The West Wing, The Social Network, Studio 60 on the Sunset Strip (though I thought The Newsroom was a rare misstep) and really enjoyed this, his directorial debut. Jessica Chastain is excellent, as is Idris Elba, and Michael Cera, who had a great cameo in Twin Peaks: The Return, was good too.

Spoiler

More dramatic licence, as Elba’s character Charlie conferred on the 'poor people bagels' subplot a race relations dimension (seemingly de rigueur in Hollywood these days) that is nowhere to be found in the book (Molly Bloom's defence lawyer, Jim Walden, is a white guy). That minor gripe apart, really enjoyed this movie.

Three Billboards Outside Ebbing, Missouri 9/10 (cinema)

This was great. In Bruges was excellentbut I thought Seven Psycopaths was derivative rubbish, so a welcome return to form from Martin McDonagh. Frances McDormand was superb, as ever - one of the best actresses around.

Spoiler

Sam Rockwell put in a stellar performance as a Officer Dixon, a weasel-faced, racist, homophobic, violent, thoroughly unlikeable character who you almost end up rooting for in the end. Loved how skilfully McDonagh set up Dixon’s redemptive arc, then sabotaged it completely. The film continually subverted expectations: characters initially set up as sympathetic protagonists or dislikable antagonists gradually revealed unexpected hidden depths, all equally scarred by fate, marking them all out as deeply flawed people at the mercy of cruel circumstance. The ending was satisfyingly ambivalent.

 

Edited by Frankie S
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(12-13)

Born Strong 7/10

A doc on power lifters competing in the Arnalds. A chap from Stoke on Trent takes part, and he’s good. They almost all talk about force feeding just to keep up the carbs/weight. 6-8 meals a day. Imagine when food becomes a chore. Pretty good balance of doc and entertainment. It’s on Netflix if you even lift.

Yr Name 9/10

Really fantastic movie. (Online stream)

Edited by Christophe
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