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What Was The Last Movie You Watched?


Rugster

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9 hours ago, Flybhoy said:

Given that nearly every remake of a classic gets panned you have to wonder at the logic in producers persistently taking such a decision, I'm genuinely struggling to think of one that was anywhere near decent apart from maybe Red Dragon which was a remake of Manhunter. 

The version of The Thing a few years ago with Mary Elizabeth Winstead in the Kurt Russell role was alright but as for any others.....nothing leaps out at me.

"It.  The Terror from Outer Space" was a little bit silly and especially the monster.

The remake was a lot better.   Better known as "Alien".

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17 hours ago, Comrie said:

Ginger

Fights. Guns. Drugs. Naked girls. Naked girls on drugs fighting with guns. It's poorly made exploitation.

3/10

 

 

 

Any hints or tips on how to sell this to the missus as a chick flick would be greatly appreciated. 

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The version of The Thing a few years ago with Mary Elizabeth Winstead in the Kurt Russell role was alright but as for any others.....nothing leaps out at me.

Isn't that a prequel instead of a direct remake? At the end the dog escapes and they're trying to kill it from the chopper which is the start of the first film.
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4 hours ago, scottsdad said:

Any hints or tips on how to sell this to the missus as a chick flick would be greatly appreciated. 

I can't. It's just too racist and crap.

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  • I suppose the weirdest remake decision would be to do a new version of an unsuccessful, poorly-made film that nevertheless had some interesting ideas, seeing as how that's probably the only type that could justifiably be done, but never are.
  • I quite liked The Thing (2011), but it was a prequel to the remake. It just happened to be made during that period when every film in an old series was desperate to remind the audience of the original film(s) at every possible opportunity. The decision to CGI up the prosthetics was indeed dreadful, and it's a pity we'll likely never see a version with the original effects as it wasn't much of a success.
  • American Oldboy was awful. Here's a video that discusses why. Any fan of the original that hasn't seen Spike Lee's film: get your face in your hands now. Apologies for the guy's staggeringly annoying voice.
     
    Spoiler

     

  • @scottsdad - I managed to sneak Big Tits Zombie and Nude Nuns with Big Guns past the wife, so I'm sure you'll be fine!
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Oh, the The Thing (2011) effects crew crowdfunded a cheapo horror film called Inanimate (here, Harbinger Down in the US) to demonstrate their skills in practical monster effects after their work was painted over. Can't remember much about the effects but, unfortunately, the film itself was a bit pish.

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The Dig (Netflix)

Story of the excavation of an Anglo-Saxon grave at Sutton Hoo in Norfolk on the brink of WWII.

Nice film that tells the story of Basil Brown who led the excavation initially but received no credit for it during his life. Some good performances, particularly from Ralph Fiennes and Carey Mulagan. If you don't greet at the scene late on where the wee boy is telling his mum a space story then you don't have a heart.

Would recommend.

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Josh Brolin put in a couple of stunning performances in two terrible movies. Jonah Hex and Oldboy. It was almost as if he was single handedly challenging himself to turn shit into good. He failed of course, but those were definitely among his best performances. 

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25 minutes ago, Andre Drazen said:

Josh Brolin put in a couple of stunning performances in two terrible movies. Jonah Hex and Oldboy. It was almost as if he was single handedly challenging himself to turn shit into good. He failed of course, but those were definitely among his best performances. 

He's also excellent in No Country for Old Men.

Spoiler

And The Goonies.

 

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Mississippi Burning (1988)

Loosely based on the true story of the murder of civil rights activists, Willem Dafoe and the always brilliant Gene Hackman play FBI agents tasked with investigating their disappearance. Dafoe is lead investigator but inexperienced, Hackman is not only from Mississippi but used to be Sheriff of a town just like Shiloh.

A tremendous ensemble cast of Frances McDormand, Brad Dourif, R. Lee Ermey, Michael Rooker and Stephen Tobolowsky and direction by Alan Parker keep things moving at a cracking pace right up to the very downbeat ending.

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18 minutes ago, Mark Connolly said:

In all seriousness, I'm a big fan of his Tommy Lee Jones impression in Men in Black 3.

He's just very good in everything tbh.

His standard day in the office is an all timer for most. Which is why his standout performances are as spectacular as they are.

Men in Black 3 is a more than worthy sequel btw.

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Annie Hall 1977

When I was a teenager in the late 70s /early 80s and not being an especially handsome fellow, I reckoned the best way to attract women was to make them laugh. This was mostly inspired by Woody Allen films such as Play It Again Sam, Manhattan and Annie Hall; I mean if a wee ugly Jewish guy could do it, right? And I genuinely did love those films when they came out.

Anyway, I decided to watch Annie Hall again tonight. Allen basically plays his real-life self, a neurotic Jewish comedian. Diane Keaton is the eponymous love interest and Allen regular Tony Roberts (did he ever appear in any films which weren't Allen's?) hangs around to pad out the "story".

And what is the story? Allen reflecting on the last 15 years where he met the flighty Keaton, decided she wasn't intellectual enough for him, dumped her, had meaningless sex in empty relationships then realised that he wanted Keaton after all.

It has some snappy dialogue, "hey don't knock masturbation, it's sex with someone I love" but even though it won the Oscar for Best Picture, I feel it really is an example of the movie equivalent of The Emperor's New Clothes.

It's notable for giving a slew of relatively unknown actors their first role (Sigourney Weaver) or bit parts (Christopher Walken, Jeff Goldblum, Shelley Duvall, Shelley Hack) and that, I think, is the best thing about it.

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42 minutes ago, Arch Stanton said:

Annie Hall 1977

When I was a teenager in the late 70s /early 80s and not being an especially handsome fellow, I reckoned the best way to attract women was to make them laugh. This was mostly inspired by Woody Allen films such as Play It Again Sam, Manhattan and Annie Hall; I mean if a wee ugly Jewish guy could do it, right? And I genuinely did love those films when they came out.

Anyway, I decided to watch Annie Hall again tonight. Allen basically plays his real-life self, a neurotic Jewish comedian. Diane Keaton is the eponymous love interest and Allen regular Tony Roberts (did he ever appear in any films which weren't Allen's?) hangs around to pad out the "story".

And what is the story? Allen reflecting on the last 15 years where he met the flighty Keaton, decided she wasn't intellectual enough for him, dumped her, had meaningless sex in empty relationships then realised that he wanted Keaton after all.

It has some snappy dialogue, "hey don't knock masturbation, it's sex with someone I love" but even though it won the Oscar for Best Picture, I feel it really is an example of the movie equivalent of The Emperor's New Clothes.

It's notable for giving a slew of relatively unknown actors their first role (Sigourney Weaver) or bit parts (Christopher Walken, Jeff Goldblum, Shelley Duvall, Shelley Hack) and that, I think, is the best thing about it.

Yeah, I'd agree with that. It was hyped up at the time, and to be honest, I quite enjoyed it at the time. But it has not aged well. 

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